Posts tagged: 7D
The exciting thing about the Arri Alexa, F-3 and the new wave of DSLR’s is their high ISO range to minimum noise ratio. This has opened up a whole new way to light as a cinematographer.
Here are the units that lit the Plaza:
Movie making is fun…and difficult at the same time. It requires a balance of creativity and technical know how. Many aspiring filmmakers (such as myself) tend to jump into this craft head first, asking questions later. Though I relate to this bunch, I try to gather as much information from those…

At first I thought the ninja was vapor wear. I first read about the ninja back in June of 2010 and follows it’s progress up to today. An HDMI disc recorder with a a touch screen and it a monitor. Loins and tigers and bears oh my.

10bit Uncompressed to Apple ProRes Field Recorder, Monitor and Playback Device $995 USD, €795 Ex.VAT £695 Ex.VAT Built-in monitor Capture from any clean, valid, HDMI source Capture in real-time to visually-lossless Apple ProRes LONG record times Infinite storage capability Low power consumption Atomos Continuous Power twin “looping’ battery system Software-upgradable hardware for maximum flexibility Touchscreen for simple, easy-to-use and infinitely-upgradable user interface Infinite storage capability Atomos Ninja demonstration from UrbanFox.TV on Vimeo.




It appears this new gear will be available starting in May 2011.
Canon announces latest update for EOS Movie Plug-in-E1 for Final Cut Pro Canon today announces the latest update for EOS Movie Plug-in-E1 for Final Cut Pro – the company’s custom-developed software application that provides quicker and easier editing of EOS Movie footage in Apple’s Final Cut Pro software suite. Launching to coincide with the start of the 2011 National Association of Broadcasters (NAB) Show in Las Vegas, EOS Movie Plug-in-E1 for Final Cut Pro version 1.2 will make the importing of EOS Movie files even easier, allowing users to transfer files from any folder, without needing to mirror the folder structure on the camera itself. The update also enables smoother importing from Canon’s EOS 7D, EOS 5D Mark II and EOS-1D Mark IV models, allowing users to import footage without requiring the THM file generated by the camera. Originally launched in February 2010, EOS Movie Plug-in-E1 for Final Cut Pro is designed to quickly and seamlessly convert EOS Movie footage from Canon’s leading range of EOS DSLR cameras to Apple’s high-quality ProRes 422 codec. The plug-in allows users to convert footage at approximately twice the speed of Apple’s standard conversion, creating a smoother workflow for the rapidly growing number of videographers shooting HD video content on DSLR cameras. EOS Movie Plug-in-E1 for Final Cut Pro version 1.2 will be available to download for free from 25th April 2011.![]()